1 00:01:19,609 --> 00:01:26,390 Oh, my God! 2 00:02:30,139 --> 00:02:31,759 This is the bag Rita left in the truck. 3 00:02:31,780 --> 00:02:39,919 The usual paraphernalia. 4 00:02:48,099 --> 00:02:48,780 A radio log. 5 00:02:49,909 --> 00:02:51,569 Look, someone has checked that piano concert. 6 00:02:53,009 --> 00:02:53,509 That's right. 7 00:02:54,610 --> 00:02:56,129 This program was broadcast yesterday. 8 00:02:56,150 --> 00:02:58,490 I wonder why it's marked. 9 00:02:59,210 --> 00:03:01,449 Well, Belmont's a musician. That's reason enough. 10 00:03:02,150 --> 00:03:02,629 Not for me. 11 00:03:03,150 --> 00:03:05,030 Jim Belmont has a motive for everything he does. 12 00:03:07,199 --> 00:03:07,759 P-A-G. 13 00:03:10,889 --> 00:03:11,830 It's a Kansas station. 14 00:03:13,460 --> 00:03:16,379 We'll wire them for a transcription of the program and have them send it by airmail. 15 00:03:17,719 --> 00:03:19,460 It will give us a clue to Belmont's next move. 16 00:03:24,629 --> 00:03:25,969 So now you understand, my dear, 17 00:03:25,969 --> 00:03:28,409 that it was necessary for me to hear the broadcast yesterday. 18 00:03:29,430 --> 00:03:32,629 In order to learn when this pianist Carlotti would arrive in this city. 19 00:03:32,990 --> 00:03:36,069 Yes, I understand. Carlotti is coming here to play 20 00:03:36,069 --> 00:03:37,699 the accompaniments for this high-brow fiddler, 21 00:03:37,699 --> 00:03:40,810 Morello, at a concert. And you want to steal Morello's fiddle. 22 00:03:41,889 --> 00:03:45,250 Not just a fiddle, my dear. His Stradivarius violin. 23 00:03:46,120 --> 00:03:48,199 It may interest you to know that the instrument is 24 00:03:48,199 --> 00:03:50,219 valued at more than $100,000. Whew, 100 grand! 25 00:03:50,319 --> 00:03:56,129 Oh, some fiddle. How are you going to get it? 26 00:03:56,909 --> 00:03:58,409 That is where Senor Collotti will help us. 27 00:03:59,030 --> 00:04:01,490 With his assistance, I should have no difficulty whatsoever. 28 00:04:07,219 --> 00:04:10,949 You have just heard the final number of Signor Roberto Carlotti's 29 00:04:10,949 --> 00:04:12,650 farewell program over this station. 30 00:04:13,370 --> 00:04:15,439 This world-renowned artist leaves tonight for 31 00:04:15,439 --> 00:04:17,860 a concert engagement on the West Coast, 32 00:04:17,860 --> 00:04:21,319 where he will present a joint recital with Giuseppe Morello, 33 00:04:21,319 --> 00:04:22,360 internationally famous violinist. 34 00:04:26,240 --> 00:04:28,040 So Mr. Collotte, he's a good pianist. 35 00:04:29,579 --> 00:04:30,910 Exactly where does that lead us? 36 00:04:32,470 --> 00:04:35,170 It convinces me that Jim Belmont is interested in his movements. 37 00:04:35,889 --> 00:04:36,449 But why? 38 00:04:36,470 --> 00:04:40,439 I don't know. But I intend to find out in a hurry. 39 00:04:42,339 --> 00:04:44,920 Call the depot, find out what time the train arrives and meet him. 40 00:04:45,720 --> 00:04:48,149 In the meantime, I'll get all the information I can about Carlotti. 41 00:04:48,569 --> 00:04:50,689 That's a new one on me, chaperone to pianist. 42 00:05:00,500 --> 00:05:03,120 I am honored by your presence, Senor Carlotti. What 43 00:05:03,120 --> 00:05:05,050 is this outrage? What do you want? 44 00:05:05,550 --> 00:05:06,170 Who are you? 45 00:05:06,790 --> 00:05:07,870 You may call me Caldwell. 46 00:05:08,430 --> 00:05:09,189 Charles Caldwell. 47 00:05:10,139 --> 00:05:12,290 Señor Carlotti, I'm going to substitute for you 48 00:05:12,290 --> 00:05:14,170 as Morello's accompanist at the concert tonight. 49 00:05:14,230 --> 00:05:15,189 Impossible. 50 00:05:15,709 --> 00:05:18,430 You're mad. No one can substitute for me. 51 00:05:18,449 --> 00:05:21,269 I will have no part of your devilish schemes. 52 00:05:22,089 --> 00:05:24,399 You are to telephone Morello that you're obliged to leave 53 00:05:24,399 --> 00:05:27,180 the city at once because of a sudden death in your family. 54 00:05:28,019 --> 00:05:30,569 You are to say that you are sending your friend Charles Caldwell 55 00:05:30,569 --> 00:05:32,750 for an audition. No, I will not. 56 00:05:34,649 --> 00:05:35,910 Oh, I see it all now. 57 00:05:36,750 --> 00:05:39,149 You intend to do some harm to Morello, huh? 58 00:05:39,870 --> 00:05:40,629 I refuse. 59 00:05:41,759 --> 00:05:46,879 And if you refuse, we will smash those highly trained fingers of yours one by one. 60 00:05:47,610 --> 00:05:48,930 No, Morton. 61 00:05:50,420 --> 00:05:54,160 Yes, sir. I consent. 62 00:05:54,980 --> 00:05:56,199 What do you want me to say? 63 00:05:59,279 --> 00:06:01,079 Your speech to Morello is already prepared. 64 00:06:01,779 --> 00:06:02,579 Study it carefully. 65 00:06:03,259 --> 00:06:04,199 There must be no mistake. 66 00:06:13,410 --> 00:06:13,670 Hello? 67 00:06:15,209 --> 00:06:16,089 Yes, Joyce, what news? 68 00:06:16,910 --> 00:06:20,439 Bad news, I'm afraid. Two men boarded the train at the East Side Station 69 00:06:20,439 --> 00:06:22,399 and persuaded Kalahi to get off there with them. 70 00:06:23,180 --> 00:06:24,420 Did you get a description of the men? 71 00:06:25,240 --> 00:06:27,579 Not in any detail. I talked to the Pullman conductor, 72 00:06:27,579 --> 00:06:30,319 and from the way he described them, one of the men could have been Farrell. 73 00:06:31,079 --> 00:06:31,879 And probably was. 74 00:06:33,300 --> 00:06:36,439 Anyway, we do know that Carlotti is supposed to play the accompaniment for Morello, 75 00:06:36,439 --> 00:06:37,790 the violinist, at a concert tonight. 76 00:06:38,750 --> 00:06:41,689 You'd better return here immediately, and we'll go to see Morello at his hotel. 77 00:06:45,370 --> 00:06:46,129 Señor Morello? 78 00:06:46,689 --> 00:06:47,110 Yes? 79 00:06:50,069 --> 00:06:50,970 I'm Professor Caldwell. 80 00:06:51,990 --> 00:06:52,350 Yes. 81 00:06:53,649 --> 00:06:56,040 My friend Carlotti telephoned that you would come. 82 00:06:56,800 --> 00:06:59,220 I trust that I shall be able to take his place as your accompanist. 83 00:07:00,180 --> 00:07:03,100 I hope so, although I doubt it. 84 00:07:04,680 --> 00:07:07,709 However, it will take but a moment to determine 85 00:07:16,100 --> 00:07:17,519 It makes sense. 86 00:07:31,810 --> 00:07:32,689 Excellent. 87 00:07:33,449 --> 00:07:36,100 Your technique is excellent, my friend. 88 00:07:36,779 --> 00:07:38,160 We must rehearse at once. 89 00:07:38,800 --> 00:07:40,139 I'll get my violin. 90 00:07:41,240 --> 00:07:42,850 You know, it's a Stradivarius, 91 00:07:42,850 --> 00:07:48,649 so naturally I keep it under lock and key and allow no one to touch it but myself. 92 00:08:01,449 --> 00:08:04,629 Ah, is she not beautiful? 93 00:08:07,209 --> 00:08:12,579 Ah, but when you hear her voice... Magnificent. 94 00:08:14,839 --> 00:08:17,680 I almost regret having to deprive you of it. 95 00:08:19,220 --> 00:08:20,079 You dare! 96 00:08:21,000 --> 00:08:22,180 Keep quiet or you won't live. 97 00:08:23,279 --> 00:08:23,959 Come in, Farrell. 98 00:08:27,980 --> 00:08:31,139 Well, you got it all right. Of course. That's what I came after. 99 00:08:32,090 --> 00:08:32,490 Tie him up. 100 00:08:39,950 --> 00:08:40,289 Wait here. 101 00:08:49,960 --> 00:08:53,960 Well, that's that. Blake. 102 00:08:55,419 --> 00:08:56,559 Put that violin down, Belmont. 103 00:08:57,220 --> 00:08:58,139 You won't need it where you're going. 104 00:09:02,940 --> 00:09:05,350 Are you suggesting that a harp would be more appropriate? 105 00:09:06,750 --> 00:09:08,029 It will be if you don't drop that gun. 106 00:09:10,210 --> 00:09:12,049 Now move over against that wall. 107 00:11:19,759 --> 00:11:20,879 He's coming. 108 00:11:37,539 --> 00:11:37,919 They're gaining. 109 00:11:38,919 --> 00:11:40,460 Did you notify Gorman to stand by? 110 00:11:40,879 --> 00:11:42,730 Yes, he'll be at the intersection of Acton Road. 111 00:11:47,450 --> 00:11:49,870 Calling Gorman. B-1 calling Gorman. 112 00:11:51,970 --> 00:11:52,830 Gorman speaking. 113 00:11:53,600 --> 00:11:55,139 I can't switch cars as I had planned. 114 00:11:55,940 --> 00:11:57,019 Blake is right behind us. 115 00:11:57,769 --> 00:11:59,090 Get set to run him off the road. 116 00:12:01,100 --> 00:12:01,740 Okay, Chief. 117 00:12:02,259 --> 00:12:07,399 I'll stop him. 118 00:12:08,940 --> 00:12:11,710 Take my gun and see if you can nick one of their tires when we get within range.